FACT FICTION

 

 JAMES ADCOX

IT WAS A GENUINE PLEASURE PAINTING for this show; Fact and Fiction. My artwork for the show may appear to have no common theme, however this is not the case. The majority of my work centers around people and are figurative or representational in nature. It is my hope that these pieces read more as narratives and less as static portraits. As a painter who strives to be a naturalist, I have attempted to capture moments in time, common and dramatic events that we may experience in life. And with this, perhaps the viewer will feel comfortable attach-ing memories of their own while enjoying the paintings. Undeniably these paintings have a personal connection to me and these people are very real. Though some im-ages are fictitious in set-up, it is my hope that they still connect to the viewer in common experience, in spiritual narrative, or simply in human to human interconnection.For me realism is not directly depicting a scene absolutely ly true to nature. As the artist I choose to discriminate elements such as color, lighting, composition, and slight details that differ from reality. I do this to make a more effective and hopefully more poetic image. For this show, influences such as John Sargent, Ilya Repin, Joaquin So- rolla, Ivan Kramskoy, and Nicolai Fechin inspired me to experiment with a more painterly approach. These paint-ing have been a labor of love and I hope you enjoy them, as much as I have enjoyed painting them!

I would like to thank Marion Nelson and the Kenai Fine Arts Center for allowing me to show my work. I would also like to thank my wife and muse, Amy. Without her support I would not have been able to finish a painting. Moreover, I want to acknowledge my sons for motivating me by regularly asking,” are you done yet?”. I am honored and privileged to be sharing this show with Chris Jenness. As both painters and print-makers, Chris is someone I share a lot in common. Aside from our art mediums, Chris and I are former Texans, devout moviegoers, and we are both artists that balance fatherhood with our artistic endeavors. Thanks for joining me.


CHRIS JENNESS

AS AN ART TEACHER one of my challenges is getting students excited about a particular assignment due at a particular time. “It’s art! It’s supposed to be free expression!” I get it, but after many years as both a fine artist and a graphic designer, one of the things I’ve learned is that a deadline is a great motivating factor and that creativity under pressure often breeds the best results. As such, I’ve felt very motivated and creative in these last few days before the show.

Despite scrambling to try and wrap everything up by the show date, I’ve really appreciated the nearly two-year lead time James and I have had to prepare the work you see tonight. I’ve been very fortunate to have the opportunity to show my work quite often since Zirrus Vandevere got me involved in my first exhibition nearly twenty years ago, but rarely have I had the time to create a really coherent group of pieces. My influences for this show are the cover artists of science fiction novels from the ‘50s through the ‘80s – often unsung, hard-working commercial illustrators contracted by publishing houses to create amazing vistas, dramatic and imaginative, in the service of stories that they themselves had often never read. I love science fiction in general, but more even than the stories themselves, I love the potential contained in the illustrations, titles and cover paintings. What I’ve attempted in these works is to suggest a larger story, but one that only exists in the viewers’ imagination.

I’d like to thank my kids for all their encouragement as I struggled with a style of art I’d never before attempted. I’d especially like to thank my wife Carla who’s had years of practice dealing with an angsty artist and yet is always up for more. Thank you to everyone at the Peninsula Art Guild for having us, and to James Adcox for inspiring me. He’s an amazingly talented artist and sharing space with him would be intimidating were he not so incredibly generous as well. It’s an honor to display my work alongside his. And last but not least, thanks to everyone who has come out to support us. I hope you all get as much out of experiencing the show as we did creating it.

 

 

 

 

Harvest Art Exhibition

 

Art Quilts Extraordinaire

The Kenai Fine Art Center’s show for August is Art Quilts Extraordinaire, a judged show with multiple Alaskan fiber artists. All are invited to the opening reception Thursday evening August 2nd, 5-7 pm. Live music, free and open to the public. Meet the many artists, see their work, and hear what they have to say about their medium and construction methods. Two area judges will also be available to award prizes and speak their thoughts on the exhibit entries as well.

Connie Tarbox & Carter Mahan

 

Bridging The Gap-Connie Tarbox

I have been sculpting for 17 years, starting with my first sculpture class from Joy Falls at KPC.  I was hooked from that initial experience. The big surprise was that sculpting is such an internal experience for me. Self-exploration and -expression were at the root of my continued study of three-dimensional art.  I was able to earn a Bachelor Degree in Art with an Emphasis in Sculpture in 2004. I have participated in exhibits at KFAC (juried, experimental and group), Kenai Visitors and Cultural Center (juried and invitational), at Alaska Pacific University (solo and  group,) the Pratt Museum in Homer (juried) and Anchorage Museum of Art and History (juried). I have been a PAG member and volunteer since 2005 and served on the Board of Directors for many of those years. Besides sculpting, I enjoy fiber work and am an obsessive doodler. Beyond art, I am an avid birdwatcher and reader. My husband and 3 daughters have been a huge support in all my creative endeavors.

Starting at the End-Carter Mahan

My name is Carter K Mahan, I am seventeen years old and I am a photographer.  I first knew I wanted to go down this career path when I discovered a little photo studio during a vacation to Hawaii. The photos were amazing, and I caught the bug. I am willing to do anything to get a good shot which is a good way to get a good shot, but also a good way to get shot. I love the danger of it, I love the thrill of the hunt, I love the camera on my shoulder and I love having a skill to show off. It’s all very satisfying. Photography just clicks with me, pun intended.

 

 

NOAA Presentation on Cook Inlet Belugas

The Beluga whales of Cook Inlet are being observed on a daily basis by Kim Ovitz of NOAA, near the Kenai Senior Housing bluff overlook of the Kenai River.  She will give a presention on May 24th at 6pm regarding her observations along with a history of the whales in the Kenai River and Cook Inlet. She has gathered formal and personal observations from locals about the Cook Inlet Beluga.

The Kenai Watershed Forum Director Jack Sinclair will present additional whale and water information as well as offering Q & A time for public questions/input.

Free and Open to all, sponsored by NOAA, Kenai Watershed Forum and the Kenai Fine Art Center.

Thursday, May 24, 6pm.

 

Wild Shores

Peninsula Art Guild/Kenai Fine Art Center is proud to present Wild Shore New Music playing at Kenai Fine Art Center, 816 Cook Avenue in Old Town Kenai Wednesday September 27, 2017 at 7:00 PM. Wild Shore New Music presents adventurous new chamber music in south-central Alaska and explores how art engages the natural world in all its beauty and danger. Humans have always needed to use and understand the natural world in order to survive. Wild Shore stages this struggle, and invites audiences to reflect on it, through performances of instrumental music. Wild Shore fosters collaborations between living composers, the nation’s finest classically-trained musicians, and the extraordinarily creative artists and residents of Alaska. ​Wild Shore Festival for New Music is a non-profit organization fiscally sponsored by the New York Foundation for the Arts (NYFA), which supports artists who want to realize specific projects. NYFA’s mission is to empower artists at critical moments in their creative lives.